DAVID GOYER Screenwriting Lesson
David S. Goyer has a deliciously twisted mind. (They don't call him "The Prince of Darkness" for nothing.) And he knows how to bring comic book characters and superheroes to kicking, screaming, vengeful life, as he did in The Crow: City of Angels, the Blade series, and Batman Begins. His intense Batman screenplay, written with director Christopher Nolan (Memento, Insomnia), resurrected the moribund Dark Knight franchise and confirmed his writing voice as a go-to source for a green light. Here, in this wry and surprising dialogue, Goyer reveals his tricks of the trade for how to intimidate a room full of studio executives, when to stand on principle, how to hook an actor's ego with killer character descriptions and dialogue, and why fear can pay the bills.
STORY - Histoires de cinéma, Scénario, Pitch de films, Extraits:
- L'essence du cinéma : ce rapport sado-masochiste au monde - Le Voyeur, Michael Powell
- Stephen Hough : the cruel (and free) lottery of cyberspace’s billion dancing bytes (About Glenn Gould)
- Bernanos, Robert Bresson, Mouchette : A son âge, mourir ou devenir une dame sont deux aventures aussi chimériques
- Vidéo : Pierre Boutron, La Reine Morte, Henry de Montherlant - Téléfilm, 2009
- Robert Bresson: "Le mal déboule, vertigineux. La vie est presque entièrement faite de hasards."
- Les pleurs de Fanny Valette
- Nos vies suspendues aux femmes - Le Feu Follet - Louis Malle - Drieu la Rochelle
- François Truffaut : Robert Bresson et les visages : tuer la marionnette
- STRIPTEASE : se déshabiller en allumant - Céline Milliat-Baumgartner, comédienne : qu'est-ce qui excite tant dans un strip-tease, et jusqu'où ça excite ?
- Bordel discount : 70 euro la passe illimitée - Pussy Club, la prostitution face à la crise
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