fin des scenarios

La fin des scénarios : THE GODFATHER, Francis Ford Coppola

INT DAY: DON'S KITCHEN (1955)

She moves back into the kitchen and begins to prepare the
drinks. From her vantage point, as she smilingly makes the
drinks, she sees CLEMENZA, NERI and ROCCO LAMPONE enter the
house with their BODYGUARDS.

She watches with curiosity, as MICHAEL stands to receive
them. He stands arrogantly at ease, weight resting on one
foot slightly behind the other. One hand on his hip, like a
Roman Emperor. The CAPOREGIMES stand before him.

CLEMENZA takes MICHAEL's hand, kissing it.

CLEMENZA
Don Corleone...

The smile fades from KAY's face, as she looks at what her
husband has become.

INT DAY: CHURCH (1955)

KAY wears a shawl over her hand. She drops many coins in
the coin box, and lifts a burning taper, and one by one, in
a pattern known only to herself, lights thirty candles.

THE END

------------------------------

THE GODFATHER
_____________

Screenplay

by

MARIO PUZO

and

FRANCIS FORD COPPOLA

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La fin des scénarios : BARTON FINK, Ethan Coen & Joel Coen

BARTON
...You're very beautiful. Are you in
pictures?

She laughs.

BEAUTY
Don't be silly.

She turns away to look out at the sea.

WIDER

Facing the ocean. Barton sits in the middle foreground, back
to us, the box in the sand next to him.

The bathing beauty sits, back to us, in the middle background.
The surf pounds.

The sun sparkles off the water.

THE END

------------------------------

BARTON FINK

Screenplay

By

Ethan Coen & Joel Coen

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La fin des scénarios : THE APARTMENT, Billy Wilder

BUD
Did you hear what I said, Miss
Kubelik? I absolutely adore you.

FRAN
(smiling)
Shut up and deal!

Bud begins to deal, never taking his eyes off her. Fran
removes her coat, starts picking up her cards and arranging
them. Bud, a look of pure joy on his face, deals -- and
deals -- and keeps dealing.

And that's about it. Story-wise.

FADE OUT.

THE END

------------------------------

THE APARTMENT

by

Billy Wilder and I.A.L. Diamond

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La fin des scénarios : BARRY LYNDON, Stanley Kubrick

TITLE CARD

It was in the reign of George III
that the above-named personages
lived and quarreled; good or bad,
handsome or ugly, rich or poor, they
are all equal now.

FADE OUT.

THE END

------------------------------

BARRY LYNDON

A

Screenplay

by

Stanley Kubrick

Based on the novel by

William Makepeace Thackeray

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