ecriture scenario

La fin des scénarios : THE MAN WHO WASN'T THERE, Ethan Coen & Joel Coen

PRISON HALLWAY

He is walking the last mile.

ED (V.O.)
...but I don't regret anything. Not
a thing. I used to. I used to regret
being the barber.

A door at the end opens:

An electric chair. Straps open, and waiting:

ED (V.O.)
...I dont know where I'm being taken.

Ed is placed in the chair.

ED (V.O.)
...I don't know what waits for me,
beyond the earth and sky. But I'm
not afraid to go.

A man stoops at his feet. He has a bucket of water and a
straight razor.

He waggles the razor in the water and starts shaving a patch
of Ed's calf.

ED (V.O.)
...Maybe the things I don't understand
will be clearer there, like when a
fog blows away...

Ed watches as the razor makes the trip from his leg to the
bucket of water, which begins to spot with small floating
hairs.

ED (V.O.)
...Maybe Doris will be there.

They are strapping him in, connecting the electrodes.

ED (V.O.)
...And maybe there I can tell her...

The men withdraw.

ED (V.O.)
...all those things...

A thin man in a dark suit and fedora stands by the switch.
As he reaches for the switch, Ed looks up into the light.

ED (V.O.)
...they don't have words for here.

------------------------------

"THE MAN WHO WASN'T THERE"

BY

Ethan Coen & Joel Coen

  • log
  • cinema
  • ecriture scenario
  • film
  • fin des scenarios
  • histoire du cinema
  • scenario
  • story

La fin des scénarios : MISERY, Rob Reiner [William Goldman, Stephen King]

As Paul glances around...

CUT TO

PAUL, looking past MARCIA.

CUT TO

DESSERT TROLLEY, some distance away, being pushed by a waitress. It is ANNIE.

CUT TO

PAUL AND SINDELL.

SINDELL
I thought you were over it.

PAUL
I am. Well, maybe not completely --

He glances toward the trolley.

CUT TO

THE DESSERT TROLLEY, moving inexorably closer to PAUL. ANNIE reaches down and pulls out a very sharp knife.

CUT TO

PAUL AND SINDELL.

PAUL
I don't know if you can ever be
totally over something like that --
I just don't think about it as much
anymore, and when I do, it's not so
terrifying.

CUT TO

ANNIE, with the knife raised.

CUT TO

PAUL, staring up at ANNIE.

PAUL
I mean, once they found her body,
my nightmares stopped.

CUT TO

PAUL AND ANNIE -- only it isn't Annie, just a WAITRESS. She stands by the trolley, the knife in her hand, ready to slice whatever anyone wants.

WAITRESS
Would you care for anything?

PAUL
(smiles)
Cut me something sinful...

CUT TO

PAUL. The smile holds. In the background now, soft music: someone might be playing "Liberace."

HOLD ON PAUL.

FINAL FADE OUT.

THE END

------------------------------

"MISERY"

by

William Goldman

Based on the Novel by

Stephen King

  • log
  • cinema
  • ecriture scenario
  • film
  • fin des scenarios
  • histoire du cinema
  • scenario
  • story

La fin des scénarios : MULHOLLAND DRIVE pilot, David Lynch

EXT. COURTYARD - NIGHT

The girls come out the front door ... Betty leading and pulling
a much happier Rita along with her. They half run across the
courtyard to stone steps under an Ivy covered eave.

CUT TO:

EXT. ROOF GARDEN - NIGHT

The girls race up the stone steps toward us. Soon their wind-
blown, smiling faces fill the screen as they look out. There
before them are the lights of Hollywood with silhouetted
palms, slow-moving theater kleig lights, and floating above
it all the giant sign in the hills reading HOLLYWOOD.

BETTY
Here I am Hollywood! My name's Betty.

A pause.

BETTY (cont'd)
(to Rita)
Say it!

RITA
Here I am Hollywood! My name is ... Rita.

They look out, maybe waiting for an answer blowing in the
Santa Ana wind.

CUT TO:

INT. AUNT RUTH'S APARTMENT - NIGHT - A MOMENT LATER

We move in to the pile of money next to Rita's purse. Past
that we move down inside Rita's purse. We see the Blue Key
and move closer to it until it fills the screen.

CUT TO:

EXT. DENNY'S RESTAURANT - HOLLYWOOD - NIGHT

We drift along the red bricks past the payphone, along the
wall until we come to the corner. Slowly we round the corner
and move to a dark alley. There amongst the dumpsters and
trash cans is the dark silhouette of a figure. We move closer
to the figure. It is the bum and the bum sits. We move
closer and the bum's face fills the screen. It's face is
black with fungus. It's eyes turn and they seem to be red.

THE END

------------------------------

Mulholland Drive Pilot - The Screenplay

("Initialement, Mulholland Drive devait être un nouveau Mystères à Twin Peaks, destiné à être diffusé sur ABC. Après moult tractations, la chaîne américaine, qui avait déjà déboursé sept millions de dollars, avait décidé de ne pas l'utiliser, effrayée par la durée du pilote (2h30) et par la complexité de l'histoire. Elle jugeait également le rythme trop lent. C'est alors que Studio Canal a contacté le réalisateur pour le convaincre de transformer le pilote en long métrage pour le cinéma. Le cinéaste a immédiatement été emballé par cette idée, et Mulholland Drive est devenu un film." - WP)

  • log
  • cinema
  • ecriture scenario
  • film
  • fin des scenarios
  • histoire du cinema
  • scenario
  • story
  • 1 comment

La fin des scénarios : THE GODFATHER, Francis Ford Coppola

INT DAY: DON'S KITCHEN (1955)

She moves back into the kitchen and begins to prepare the
drinks. From her vantage point, as she smilingly makes the
drinks, she sees CLEMENZA, NERI and ROCCO LAMPONE enter the
house with their BODYGUARDS.

She watches with curiosity, as MICHAEL stands to receive
them. He stands arrogantly at ease, weight resting on one
foot slightly behind the other. One hand on his hip, like a
Roman Emperor. The CAPOREGIMES stand before him.

CLEMENZA takes MICHAEL's hand, kissing it.

CLEMENZA
Don Corleone...

The smile fades from KAY's face, as she looks at what her
husband has become.

INT DAY: CHURCH (1955)

KAY wears a shawl over her hand. She drops many coins in
the coin box, and lifts a burning taper, and one by one, in
a pattern known only to herself, lights thirty candles.

THE END

------------------------------

THE GODFATHER
_____________

Screenplay

by

MARIO PUZO

and

FRANCIS FORD COPPOLA

  • log
  • cinema
  • ecriture scenario
  • film
  • fin des scenarios
  • histoire du cinema
  • scenario
  • story
  • 1 comment

La fin des scénarios : BARTON FINK, Ethan Coen & Joel Coen

BARTON
...You're very beautiful. Are you in
pictures?

She laughs.

BEAUTY
Don't be silly.

She turns away to look out at the sea.

WIDER

Facing the ocean. Barton sits in the middle foreground, back
to us, the box in the sand next to him.

The bathing beauty sits, back to us, in the middle background.
The surf pounds.

The sun sparkles off the water.

THE END

------------------------------

BARTON FINK

Screenplay

By

Ethan Coen & Joel Coen

  • log
  • cinema
  • ecriture scenario
  • film
  • fin des scenarios
  • histoire du cinema
  • scenario
  • story

La fin des scénarios : THE APARTMENT, Billy Wilder

BUD
Did you hear what I said, Miss
Kubelik? I absolutely adore you.

FRAN
(smiling)
Shut up and deal!

Bud begins to deal, never taking his eyes off her. Fran
removes her coat, starts picking up her cards and arranging
them. Bud, a look of pure joy on his face, deals -- and
deals -- and keeps dealing.

And that's about it. Story-wise.

FADE OUT.

THE END

------------------------------

THE APARTMENT

by

Billy Wilder and I.A.L. Diamond

  • log
  • cinema
  • ecriture scenario
  • film
  • fin des scenarios
  • histoire du cinema
  • scenario
  • story

La fin des scénarios : BARRY LYNDON, Stanley Kubrick

TITLE CARD

It was in the reign of George III
that the above-named personages
lived and quarreled; good or bad,
handsome or ugly, rich or poor, they
are all equal now.

FADE OUT.

THE END

------------------------------

BARRY LYNDON

A

Screenplay

by

Stanley Kubrick

Based on the novel by

William Makepeace Thackeray

  • log
  • cinema
  • ecriture scenario
  • film
  • fin des scenarios
  • histoire du cinema
  • scenario
  • story
  • « first
  • ‹ previous
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • …
  • next ›
  • last »

 

Les notes sur l'histoire du cinéma se poursuivent désormais à cette adresse :

http://films7.com/art/cinema

NOTES SUR LE CINEMA

 

HISTOIRE DU CINEMA : CINEASTES, SCENARIOS, MISES EN SCENE, DIRECTION D'ACTEURS...

HISTOIRE DU CINEMA : CINEASTES, SCENARIOS, MISES EN SCENE, DIRECTION D'ACTEURS...

 

BANDE-DEMO COMEDIENNE - VIDEO JEUNE ACTRICE

 

--> ACTRICES - DEMOS

 

FILMS7 | CINEMA | COMEDIENNES