La fin des scénarios : THE GODFATHER, Francis Ford Coppola

INT DAY: DON'S KITCHEN (1955)

She moves back into the kitchen and begins to prepare the
drinks. From her vantage point, as she smilingly makes the
drinks, she sees CLEMENZA, NERI and ROCCO LAMPONE enter the
house with their BODYGUARDS.

She watches with curiosity, as MICHAEL stands to receive
them. He stands arrogantly at ease, weight resting on one
foot slightly behind the other. One hand on his hip, like a
Roman Emperor. The CAPOREGIMES stand before him.

CLEMENZA takes MICHAEL's hand, kissing it.

CLEMENZA
Don Corleone...

The smile fades from KAY's face, as she looks at what her
husband has become.

INT DAY: CHURCH (1955)

KAY wears a shawl over her hand. She drops many coins in
the coin box, and lifts a burning taper, and one by one, in
a pattern known only to herself, lights thirty candles.

THE END

------------------------------

THE GODFATHER
_____________

Screenplay

by

MARIO PUZO

and

FRANCIS FORD COPPOLA