British Film Institute - CAROL élu meilleur film LGBT de tous les temps. -

Meilleurs films | Over 100 film experts including critics, writers and programmers have voted the Top 30 LGBT Films of All Time. The poll’s results represent 84 years of cinema and 12 countries. 

The winner is Todd Haynes’ award-winning CAROL.

Tricia Tuttle, Deputy Director of Festivals at the British Film Institute said:

“The BFI Flare team are delighted with the results. Here are 30 films we love and so many we have screened in the Festival. Carol’s win excites us because it’s great to see a film about two women in love enjoy such prominence, particularly given cinema’s relative lack of lesbian content, and it’s such an extraordinarily fine film which has had near universal praise from critics and curators. To see Carol enshrined in this way so soon after release is a testament to how beloved it is and how esteemed Todd Haynes is as a filmmaker." 

British Film Institute - The 30 Best LGBT Films of All Time

1. Carol (2015)
Director Todd Haynes
(28 votes)

2. Weekend (2011)
Director Andrew Haigh
(26 votes)

3. Happy Together (1997)
Director Wong Kar-wai
(25 votes)

4. Brokeback Mountain (2005)
Director Ang Lee
(24 votes)

5. Paris Is Burning (1990)
Director Jennie Livingston
(22 votes)

6. Tropical Malady (2004)
Director Apichatpong Weerasethakul
(21 votes)

7. My Beautiful Laundrette (1985)
Director Stephen Frears
(20 votes)

8. All about My Mother (1999)
Director Pedro Almodóvar
(19 votes)

9. Un chant d’amour (1950)
Director Jean Genet
(18 votes)

10. My Own Private Idaho (1991)
Director Gus Van Sant
(17 votes)

11=. Tangerine (2015)
Director Sean S. Baker
(15 votes)

11=. The Bitter Tears of Petra von Kant (1972)
Director Rainer Werner Fassbinder
(15 votes)

11=. Blue Is the Warmest Colour (2013)
Director Abdellatif Kechiche
(15 votes)

14=. Mädchen in Uniform (1931)
Director Leontine Sagan
(14 votes)

14=. Show Me Love (1998)
Director Lukas Moodysson
(14 votes)

14=. Orlando (1992)
Director Sally Potter
(14 votes)

17. Victim (1961)
Director Basil Dearden
(13 votes)

18. Je, tu, il, elle (1974)
Director Chantal Akerman
(12 votes)

19. Looking for Langston (1989)
Director Isaac Julien
(11 votes)

20=. Beau Travail (1999)
Director Claire Denis
(10 votes)

20=. Beautiful Thing (1996)
Director Hettie MacDonald
(10 votes)

22=. Stranger by the Lake (2013)
Director Alain Guiraudie
(9 votes)

22=. Theorem (1968)
Director Pier Paolo Pasolini
(9 votes)

22=. The Watermelon Woman (1996)
Director Cheryl Dunye
(9 votes)

22=. Pariah (2011)
Director Dee Rees
(9 votes)

22=. Mulholland Dr. (2001)
Director David Lynch
(9 votes)

27=. Portrait of Jason (1967)
Director Shirley Clarke
(8 votes)

27=. Dog Day Afternoon (1975)
Director Sidney Lumet
(8 votes)

27=. Death in Venice (1971)
Director Luchino Visconti
(8 votes)

27=. Pink Narcissus (1971)
Director James Bidgood
(8 votes)

27=. Sunday Bloody Sunday (1971)
Director John Schlesinger
(8 votes)

27=. Tomboy (2011)
Director Céline Sciamma
(8 votes)

27=. Funeral Parade of Roses (1969)
Director Toshio Matsumoto
(8 votes)

The following films received five votes or more.

7 votes

The Adventures of Priscilla, Queen of the Desert (1994)
Blue (1993)
Bound (1996)
Boys Don’t Cry (1999)
Cabaret (1972)
Desert Hearts (1985)
Edward II (1991)
Go Fish (1994)

6 votes

Fox and His Friends (1975)
Hedwig and the Angry Inch (2001)
The Kids Are All Right (2010)
Law of Desire (1987)
Nighthawks (1978)
Pride (2014)
Querelle (1982)
Scorpio Rising (1964)
A Single Man (2009)
The Times of Harvey Milk (1984)
Young Soul Rebels (1991)

5 votes

Born in Flames (1983)
But I’m a Cheerleader (1999)
The Crying Game (1992)
Fireworks (1947)
Heavenly Creatures (1994)
I Don’t Want to Sleep Alone (2006)
Michael (1924)
Mysterious Skin (2004)
Poison (1991)
Sebastiane (1976)
Tongues Untied (1989)

ROONEY MARA - CATE BLANCHETT : BAFTA 2016 - CAROL (Todd HAYNES)
British Film Institute - CAROL élu meilleur film LGBT de tous les temps

 

POSITIF - Revue de Cinéma - Numéro 676, juin 2017 - Couverture : Natalie Portman - SONG TO SONG - Terrence MALICK

 

Au cinéma le 12 juillet : Song to Song / Terrence MALICK

POSITIF - Revue de Cinéma - Numéro 676, juin 2017 - Couverture : Natalie Portman / MALICK

 

"Aucun film de Malick ne donnait à ce point un vertige troublant du réel saisi dans une perspective physique inédite. Corps abîmés, rockers ivres, errants ou violents, tatouages obsédants ou inquiétants, maisons délabrées, tout ce qui existe doit être source de contemplation.

La forme humaine est éloquente, à méditer, occasion de fulgurantes sensations de beauté. "L'Amour se trouve dans la forme humaine, divine", médite ainsi l'héroïne Faye (Rooney Mara), citant des vers de William Blake." (...)

"Voyageuse, éprise, inlassable, la caméra célèbre et révère les courbes des hanches, du bassin, le bas-ventre féminin, comme le Cantique des Cantiques (Song of Songs)". (...)

"La figure du jump cut et de l'association (segments discontinus d'une même scène ou émotion, lien flottant entre les plans) s'accomplit dans cette exploration de l'intermittence au sens proustien - l'examen microscopique des envies, des pulsions, des moments, des éclats et des éclipses des sentiments dont le regard plus vaste ne voit que les trajectoires". (...)

Pierre Berthomieu  :  Song to Song  J'ignorais que j'avais une âme  / POSITIF Revue de cinéma, juin 2017

 

Michael Fassbender - Natalie Portman - SONG TO SONG - Terrence MALICK

 

"SONG TO SONG. ...an associative freedom that makes almost all other movies look, by comparison, like the stodgiest vestiges of filmed theatre. (...) Within the shifting romantic triangle of “Song to Song,” Terrence Malick develops an overwhelming, rapturous variety of visual experience". "Malick makes art—his art—the subject of the film.... This seventy-three-year-old filmmaker looks to the heart of his own inspiration, his own impulses, and creates a cinema that, with the creative command of his own life experience, feels more exuberantly youthful than that of most Sundance phenoms."

Richard Brody / The New Yorker

 

 

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