Kevin Kuhlke (2001, directeur de l'Experimental Theatre Wing of the Tisch School of the Arts - New York University) :

"(...) une question que les étudiants posent souvent : comment peut-on parler d'un département de théâtre expérimental alors que ce département appartient à une institution ?

(...) La question, pour le professeur, consiste à savoir comment donner aux étudiants la possibilité d'évoluer, tout en se faisant le gardien d'une certaine tradition. (...) Il y a trois ans j'ai eu un choc quand des étudiants m'ont dit : "Ce que l'on fait n'est pas expérimental, c'est vieux. Ce que vous faites est vieux. Grotowski est vieux, Barba est vieux, tout le monde est vieux. Le postmodernisme est vieux. On est au-delà du postmodernisme"."

L'Entrée en formation,
Discussion avec le public
Actes du Colloque international sur la formation de l'acteur
organisé par L'Université du Québec à Montréal et l'Université Paris X - Nanterre
au Théâtre National de la Colline, Paris, avril 2001.
Extrait de la page 115 de L'Ecole du Jeu, sous la direction de Josette Féral.
Former ou transmettre... les chemins de l'enseignement théâtral, Collection Les Voies de l'Acteur, L'Entretemps Editions

~~ 

Experimental Theatre Wing

ETW was created in 1975 at New York University by a group of artists and teachers to develop an actor training curriculum based on innovative approaches to physically based acting. It is ETW’s mission to provide students with an actor training and production program that will prepare them technically, conceptually, and personally to meet the far-ranging demands of contemporary and traditional theatre.

ETW’s training covers a wide range of approaches to acting, dance, self-scripting, and vocal performance. Rather than impose a single aesthetic frame, the ETW curriculum provides students with fundamental performance skills, while helping them discover and shape their own unique artistic visions. Our goal is to facilitate the development of young artists who have the skill, vision, courage, and will–as well as the personal and social consciousness–to create vital new theatre art.

Le postmodernisme est vieux. On est au-delà du postmodernisme | Kevin Kuhlke, directeur de l'Experimental Theatre Wing of the Tisch School of the Arts - New York University
actress.camera | international actresses
Erika Linder / Model & Actress / Photo (c) Amanda Demme

 

Erika Linder

Photo (c) Amanda Demme

 

"Proudly androgynous, Linder models in both men’s and women’s runway shows. So it is no surprise that her personal hero is Tilda Swinton. “I admire her style so much—I think she is amazing. She can do it all; she can play a man, a woman, a horse!” she says. And so, we suspect, can Linder.

Asked if her new career (actress) is scary, she says of course it is: “But if it isn’t scary, I don’t want to do it." - VOGUE, APRIL 4, 2018. Hooked on Louis Vuitton’s Capucines With Erika Linder

 

Erika Linder / Actress

 

"Model Erika Linder announces herself as a promising screen presence"
VARIETY

"Erika Linder. One of the most impressive silver screen outings for a model to date"
EYE FOR FILM

 

Sara Serraiocco | Baldwin / Counterpart

 

Sara Serraiocco

Showreel | Counterpart

"The actress Sara Serraiocco is the person stealing the show on Counterpart so far. Serraiocco had a not-so unique path to acting: she started out as a dancer. Now one of the hottest talents in Europe" (Decider)

 

Sara Serraiocco
actress.camera | international actresses